Darkness falls, wolves howl and lunatics sing in this hysterical
Rick Abbot spoof. It's a madcap musical that spins the legend of
everyone's favorite vampire into a hilarious cabaret act complete with
music, dancing and special effects.
When Rick Abbot wrote this parody in the early '80s, the idea of
setting a gothic horror story to music must have seemed worthy of the
questioning double-take in this production's title. Who knew that Phantom of the
Opera and Jekyll & Hyde, the Musicalwere on the horizon? But where
those shows take themselves quite seriously, Abbott’s Dracula, The Musical?
pays as much homage to Mel Brooks as it does to Bram Stoker.
Set in 19th century England,
the story centers around a madhouse run by one Dr. Seward. His new
neighbor is a certain Hungarian Count with designs on the neck of the
doctor’s daughter Mina. When the crazed vampire hunter Van Helsing
arrives to warn the household, the family is slow to grasp the danger
that she is in. How slow? When Van Helsing warns them that after the third
bite on Mina’s neck, she "would become the same dreaded thing that he
himself must forever be", Sophie responds: "Hungarian?" But when the Count
spirits Mina off to his castle, it’s up to Van Helsing, Seward, his
ditzy wife Sophie, surly maid Nelly, Mina’s saucy friend Bubu and
resident madman Boris Renfield to save her.
This is the fourth of Rick Abbot's works The Players have presented. Our productions of June Groom, Play On! and The Bride of Brackenloch rank among the funniest of our offerings. So, here we go again...
*Pending availability and licensing
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